Published on October 7th, 2015 | by Sharp-O0
S.H.I.E.L.D. Exposed: “Purpose in the Machine”
Damn, the feels are strong this week!
The second episode kicks off in a big way as the team rush to Fitz’s side as he keeps screaming at the monolith. His desperation is at it’s zenith but just as he begins to lose hope, he finds what he needs and when he calls, the team answers. It’s great to see the team so focused.
While Andrew returns to assess the new Inhuman, we get a look at what May has been doing and she’s been playing golf with her dad! It’s cute to see a Mulan reunion on-screen but, seriously, it’s nice to see more of May’s past. Her childhood love of ice-skating, her dad calling her Millie (or Mellie, James Hong’s accent is thick) and how protective she is of her family.
Peter MacNicol makes a return as the affable Asgardian, Elliot Randolph, who busts out of jail to help the team. After a little coercion from Phil, naturally. He’s a welcome addition to the team for the episode.
There’s also some adventure with the delightful dickbag that is Grant Ward and Brett Dalton is killing it as usual. A bit weird to see him recruiting Baron Von Strucker’s son into his new Hydra but will that lead to more children of villains? Will we see Victor Mancha, the son of Ultron?
Obviously, the biggest plot point for this episode is Fitz and Simmons. Two of my favourite moments result from this and I’ll share them with you.
The actual mission to rescue Simmons is a bally shambles, between using rickety old tech and Fitz going full Big Damn Hero and leaping into the portal himself and I have to admit that I was sceptical that we’d see Simmons, let alone that she’d actually be saved but with the help of Daisy pushing herself to breaking point, we get a happy reunion.
That’s the face of a man who spit in the face of common sense, science and the whole goddamn universe to save the woman he loves. Pure joy. Now we await the fallout because Simmons will no doubt be suffering PTSD. Maybe the worst is yet to come but for now, I’ll leave Hunter to channel the audience’s feelings.